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JS Bach - BWV0151-BWV0155 - Cantata - [FLAC]

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  JS Bach - BWV0151-BWV0155
- Cantata - [FLAC]
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  General Information

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 Type.................: Music

Platform.............: Windows 9x/ME/2000
 File Validation......: SFV
 Image type...........: CD Rip
 
 Genre................: Classical
 
 Audio Format.........: Lossless
 Ripper...............: dBpowerAMP
Music Converter-------------------------------------------------------------------------------
  Release Notes
 -------------------------------------------------------------------------------
 General
 Complete name :
I:UPLOADSJS Bach - BWV0151-BWV0155 
 - Cantata - [FLAC]Bach - BWV0151 - Sueszer Trost, Mein Jesus Koemmt - Solo 
 Cantata [FLAC].flac
 Format : FLAC
 Format/Info : Free Lossless Audio Codec
 File size : 67.2 MiB
 Duration : 16mn 24s
 Overall bit rate mode : Variable
 Overall bit rate : 573 Kbps
 Track name : Bach
- BWV0151 - Sueszer Trost, Mein 
 Jesus Koemmt - Solo Cantata for the 3rd Day of Christmas [St John's Day]

Composer : Johann Sebastian Bach
 Conductor : Pieter Jan Leusink
 Genre : Cantata
 Comment : Susser
Trost, mein Jesus kömmt (Sweet 
 comfort, my Jesus comes) / / Cantata 151 / / Christmas Tuesday / Epistle: 
 Hebrew i. 1-14 (Christ is preferred above the angels) or / Ecclesiastes xv. 
 1-8 (Wisdom embraces those that
fear God) / Gospel: John i. 1-14 (In the 
 beginning was the word) or / John xxi. 15-24 (Jesus commands Peter to
feed his 
 lambs) / / SIMON CROUCH SAYS: / Rating: 2+ / / It's a great shame that no 
 flute concerti have
come down to us from Bach's hand. Surely he must have 
 written them, given the quality of flute players that he
had available to him. 
 Still, the opening soprano aria of this cantata is something of a consolation 
 prize
for us flutists. It's a beautiful lilting piece in 12/8 time which 
 features the oboe d'amore as well as the
flute. This is one of those pieces that 
 could quite happily be extracted from it's context and presented as an

 independent concert aria. Perhaps that way it would get to be known as well as 
 it deserves rather than
lying in relative obscurity. The rest of the cantata is 
 rather overshadowed by the opening movement and, indeed,
there's only one other 
 aria (for alto) sandwiched between two recitatives. It's a pleasant piece with 
 the
oboe d'amore more prominently featured. The cantata ends with a 
 straightforward chorale setting, the flute
delightfully doubling the soprano 
 line. 
 Soloists : Holland Boys Choir / Netherlands Bach 
 Collegium
/ Ruth Holton / Sytse Buwalda / Knut Schoch / Bas Ramselaar
 
 Audio
 Format : FLAC
 Format/Info :
Free Lossless Audio Codec
 Duration : 16mn 24s
 Bit rate mode : Variable
 Bit rate : 573 Kbps

Channel(s) : 2 channels
 Sampling rate : 44.1 KHz
 Bit depth : 16 bits
 Stream size : 67.2 MiB (100%)
 Writing library : libFLAC 1.3.1 (UTC 2014-11-25)
 
 General
 Complete name : I:UPLOADSJS Bach -
BWV0151-BWV0155 
 - Cantata - [FLAC]Bach - BWV0152 - Tritt Auf Die Glaubensbahn - Solo Cantata 

[FLAC].flac
 Format : FLAC
 Format/Info : Free Lossless Audio Codec
 File size : 75.3 MiB
 Duration
: 18mn 22s
 Overall bit rate mode : Variable
 Overall bit rate : 573 Kbps
 Track name : Bach - BWV0152 -
Tritt Auf Die 
 Glaubensbahn - Solo Cantata (for Soprano and Bass) for the 1st Sunday after 
 Christmas Day
 Composer : Johann Sebastian Bach
 Conductor : Pieter Jan Leusink
 Genre : Cantata
 Comment : Tritt auf
die Glaubensbahn (Walk in 
 the way of faith) / / Cantata 152 / / Sunday after Christmas / Epistle: 

Galatians iv. 1-7 (Christ is sent to redeem those under the law) / Gospel: Luke 
 ii. 33-40 (Christ is born for the
redemption of Israel) / / SIMON CROUCH SAYS: 
 / Rating: 1 / / Written early in Bach's career at Weimar, the solo
cantata BWV 
 152 starts with a most attractive concerto. There's four bars of rather stately 
 introduction
in common time followed by a permutation fugue that skips along in 
 3/8. The subject (which you may wish to
compare with that from BWV 536) is 
 introduced by the recorder and developed by the oboe, viola d'amore (an 

instrument that has sympathetically resonating strings beneath the fingerboard) 
 and the viola da gamba. The bass
aria that follows has one of those wonderfully 
 plaintive oboe lines, at which Bach so excelled, weaving in and
out of the 
 vocalist's line. The recitative has a nice leap down and up for the soloist at 
 the words zum
fall und Auferstehen! The soprano aria has a beautiful and elegant 
 accompaniment from the recorder and viola
d'amore and requires a singer of pure 
 voice and even tone to do justice to the long held notes. After a
recitative, 
 the cantata is rounded off by a fine bass/soprano dialogue where the soul 
 enquires of Jesus
how to obtain salvation. The recorder and oboe play most 
 effectively in unison in this movement. 
 Soloists
: Holland Boys Choir / Netherlands Bach 
 Collegium / Ruth Holton / Sytse Buwalda / Nico van der Meel / Knut Schoch
/ Bas 
 Ramselaar
 
 Audio
 Format : FLAC
 Format/Info : Free Lossless Audio Codec

Duration : 18mn 22s
 Bit rate mode : Variable
 Bit rate : 573 Kbps
 Channel(s) : 2 channels

Sampling rate : 44.1 KHz
 Bit depth : 16 bits
 Stream size : 75.3 MiB (100%)
 Writing library : libFLAC
1.3.1 (UTC 2014-11-25)
 
 General
 Complete name : I:UPLOADSJS Bach - BWV0151-BWV0155 
 - Cantata -
[FLAC]Bach - BWV0153 - Schau, Lieber Gott, Wie Meine Feind - Solo 
 Cantata [FLAC].flac
 Format : FLAC

Format/Info : Free Lossless Audio Codec
 File size : 61.8 MiB
 Duration : 14mn 15s
 Overall bit rate mode
: Variable
 Overall bit rate : 606 Kbps
 Track name : Bach - BWV0153 - Schau, Lieber Gott, 
 Wie Meine
Feind - Solo Cantata for the Sunday after New Year [2nd Sunday after 
 Christmas Day]
 Composer : Johann
Sebastian Bach
 Conductor : Pieter Jan Leusink
 Genre : Cantata
 Comment : Schau, lieber Gott, wie meine
Feind 
 (See, dear God, the many enemies) / / Cantata 153 / / Sunday after the 
 Circumcision / Epistle: Titus
ii. 11-14 (Salvation has appeared to all men) or / 
  Titus iii. 4-7 (Justified by grace, we are the heirs of
eternal life) / 
 Gospel: Matthew ii. 13-15 (The flight into Egypt) or / Matthew iii. 13-17 
 (Jesus baptised
by John) / / SIMON CROUCH SAYS: / Rating: 3+ / / Unusually, 
 this cantata starts with a simple chorale setting
rather than a more elaborate 
 chorus and throughout its relatively short span, there are three chorale 

settings and three straightforward recitatives. It has been suggested that given 
 the season, Bach's choirs would
have had a lot of material to learn recently and 
 thus he deliberately wrote a cantata like this to ease his
chorister's lives. / 
  / Unfortunately, it shows. The remainder of the cantata is made up of three 
 arias
which themselves are really nothing special. The first is just plain dull 
 and the second is energetic and
frenetic but not especially inspired (and may be 
 a parody of a lost secular cantata movement). However, the third
aria (for alto) 
 sounds like a failed attempt at writing a great tune, which at least succeeds in 
 being
rather charming. 
 Soloists : Holland Boys Choir / Netherlands Bach 
 Collegium / Ruth Holton / Sytse Buwalda
/ Knut Schoch / Bas Ramselaar / Nico van 
 der Meel
 
 Audio
 Format : FLAC
 Format/Info : Free
Lossless Audio Codec
 Duration : 14mn 15s
 Bit rate mode : Variable
 Bit rate : 606 Kbps
 Channel(s)
: 2 channels
 Sampling rate : 44.1 KHz
 Bit depth : 16 bits
 Stream size : 61.8 MiB (100%)
 Writing
library : libFLAC 1.3.1 (UTC 2014-11-25)
 
 General
 Complete name : I:UPLOADSJS Bach - BWV0151-BWV0155

 - Cantata - [FLAC]Bach - BWV0154 - Mein liebster Jesus ist verloren - Cantata 
 [FLAC].flac
 Format :
FLAC
 Format/Info : Free Lossless Audio Codec
 File size : 61.6 MiB
 Duration : 14mn 57s
 Overall
bit rate mode : Variable
 Overall bit rate : 576 Kbps
 Track name : Bach - BWV0154 - Mein liebster Jesus 
 ist verloren - Cantata for the 1st Sunday after Epiphany
 Composer : Johann Sebastian Bach
 Conductor :
Pieter Jan Leusink
 Genre : Cantata
 Comment : Mein liebster Jesus ist verloren (My 
 dearest Jesus is
lost) / / Cantata 154 / / First Sunday after Epiphany / 
 Epistle: Romans xii. 1-6 (We are at one with Christ) /
Gospel: Luke ii. 41-52 
 (Jesus in the temple) / / SIMON CROUCH SAYS: / Rating: 2+ / / This short but 

impressive cantata starts with an impassioned tenor aria in which the soul 
 bemoans the loss of Jesus. According
to Robertson, you may wish to listen 
 carefully for a pre-echo of the sword motif from Wagner's Ring hidden
between 
 the final sentences of this aria! A recitative leads into a straightforward 
 chorale harmonisation
which itself leads to the gem of this cantata: The alto 
 aria Jesus, let me find Thee. This gentle and beautiful
aria (in which, 
 unusually, the harpsichord doubles the strings, replacing the continuo) is well 
 worth
going a long way to hear. Arioso leads into recitative and we arrive at 
 the final aria which is a duet for alto
and tenor. This itself is very 
 attractive, if not quite up to the standard of the preceding alto aria. The 

cantata closes with an attractive, if straightforward, chorale harmonisation. 
 Soloists : Holland Boys Choir /
Netherlands Bach 
 Collegium / Ruth Holton / Sytse Buwalda / Marcel Beekman / Nico van der Meel / 
 Bas
Ramselaar
 
 Audio
 Format : FLAC
 Format/Info : Free Lossless Audio Codec
 Duration : 14mn
57s
 Bit rate mode : Variable
 Bit rate : 576 Kbps
 Channel(s) : 2 channels
 Sampling rate : 44.1
KHz
 Bit depth : 16 bits
 Stream size : 61.6 MiB (100%)
 Writing library : libFLAC 1.3.1 (UTC
2014-11-25)
 
 General
 Complete name : I:UPLOADSJS Bach - BWV0151-BWV0155 
 - Cantata - [FLAC]Bach
- BWV0155 - Mein Gott, wie lang, ach lange - Solo 
 Cantata [FLAC].flac
 Format : FLAC
 Format/Info :
Free Lossless Audio Codec
 File size : 47.5 MiB
 Duration : 12mn 30s
 Overall bit rate mode : Variable
 Overall bit rate : 531 Kbps
 Track name : Bach - BWV0155 - Mein Gott, wie lang, 
 ach lange - Solo Cantata
for the 2nd Sunday after Epiphany
 Composer : Johann Sebastian Bach
 Conductor : Pieter Jan Leusink

Genre : Cantata
 Comment : Mein Gott, wie lang', ach lange? (My 
 God, how long, ah how long?) / / Cantata 155
/ / Second Sunday after Trinity / 
 Epistle: Romans xii. 6-16 (Love and other duties are required of us) / Gospel:

 John ii. 1-11 (Christ turns water into wine) / / SIMON CROUCH SAYS: / Rating: 
 2+ / / A rather gloomy
soprano recitative opens this cantata in which the theme 
 is a common one: The redemption from a desperate life to
be had through Christ. 
 So the pattern is set: Desperation followed by resignation to be replaced by 

aspiration! The following alto aria provides the greatest interest in this 
 cantata: A fine duet between alto and
tenor accompanied by a solo bassoon line 
 that may remind you of Philip Glass. Hypnotic and wide ranging, this
must be a 
 piece that bassoonists must love and fear. Following the central recitative, 
 there is an aria
for soprano that is introduced by an agitated and attractive 
 violin accompaniment. However, after a promising
start the vocal melody is, 
 perhaps, a little less interesting that the accompaniment. This short cantata is 
 drawn to a close with a straightforward chorale setting. 
 Soloists : Holland Boys Choir / Netherlands Bach 
 Collegium / Ruth Holton / Sytse Buwalda / Knut Schoch / Bas Ramselaar
 
 Audio
 Format : FLAC

Format/Info : Free Lossless Audio Codec
 Duration : 12mn 30s
 Bit rate mode : Variable
 Bit rate : 531
Kbps
 Channel(s) : 2 channels
 Sampling rate : 44.1 KHz
 Bit depth : 16 bits
 Stream size : 47.5 MiB
(100%)
 Writing library : libFLAC 1.3.1 (UTC 2014-11-25)
 
 General
 Complete name : I:UPLOADSJS
Bach - BWV0151-BWV0155 
 - Cantata - [FLAC]_SFV-BWV0151-BWV0155.sfv
 File size : 1.05 KiB
 

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